For these reasons, this is the go-to format that I master to unless otherwise specified by the client. ItвЂ™s also the most widely accepted format amongst aggregators such as TuneCore, Distrokid, etc.

The most commonly used is the 16-bit/44.1 kHz WAV file, which is standard for digital streaming and is the same file resolution as CDs. вЂ“ Digital Hi-Res vinyl cutting files or vinyl master lacquers / reference acetates if the mastering facility has a vinyl cutting lathe вЂ“ Apple Digital Masters (previously called вЂњMastered for iTunesвЂќ) вЂ“ 16-bit/44.1 kHz WAV files (sometimes referred to as вЂњRed BookвЂќ audio) Mastering deliverables currently in use include: Luckily, WaveLabвЂ™s rendering capabilities make it easy to output whatever files the client needs. For example, an independently released single may only require one mastered file for streaming, whereas a major label artist could request every available format. There are a handful of different deliverables for distribution, and they vary from project to project. Whether it be streaming, CD or vinyl, a mastering engineer needs to be able to create, quality check and provide every needed format. In my previous postings, IвЂ™ve been covering various aspects of mastering, and now we come to the final step of the mastering process: providing the client with the necessary deliverables to release their music into the world.

Ddp master for vinyl